For Robert Indiana, 'LOVE’ was a complicated relationship


PORTLAND, Maine (AP) — Pop artist Robert Indiana, best known for his 1960s “LOVE” series, died at his secluded island home off the Maine coast having never found the type of lasting love that was celebrated by thousands through his iconic work.

The artist’s endearing image of LOVE is instantly recognizable around the world. Couples have their photo taken at the LOVE sculpture in Philadelphia and the iconic image was used on postage stamps.

But the man behind the art grew up in a household where the word “love” was never spoken, and he never found a lasting relationship, said Barbara Haskell, curator of the Whitney Museum of American Art in New York.

“The word was never used in his family growing up. He had a complicated relationship with the word,” Haskell said.

Indiana died Saturday from respiratory failure at his home in a converted Odd Fellows Hall, a fraternal order lodge, on Vinalhaven Island, 15 miles off the mainland, said James Brannan, his attorney. He was 89.

Friends had expressed concern for his well-being because the reclusive artist had not been heard from for some time.

A lawsuit filed in New York City the day before his death suggested he was purposefully isolated by his caretakers.

Brannan declined to comment on the situation.

Indiana created a lifetime of art but he’s best known for LOVE, spelled with two letters to a line and with a tilted “O.”

“In some ways he was perhaps seen as the proverbial one-hit wonder because ‘LOVE’ was so immensely iconic and immensely huge in pop culture,” said Dan Mills, the director at Bates College Museum of Art. “For better or for worse, it overshadowed some of his other contributions.”

Haskell compared the image to “American Gothic,” the painting by Grant Wood of a man with a pitchfork and a woman in front of a farmhouse . The public knows those images even if they don’t know the creators, she noted.

Indiana, who was born Robert Clark in the state of Indiana, left behind the art scene in New York and retreated in 1978 to Maine, living on Vinalhaven.

He told The Associated Press in 2009 that he moved to his house — which a benefactor bought for him — when he needed a place to go after his lease ran out on his five-story studio and gallery in the Bowery section of New York City.

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