Lloyd Webber isn’t slowing down at 70


AP Entertainment Writer


Andrew Lloyd Webber’s 70th birthday is coming up and it turns out there is something the composer really wants on his special day. More work.

The man behind such blockbuster shows as “Cats,” “The Phantom of the Opera” and “School of Rock” has shows in London’s West End, Broadway and on tour, but he’d like to be composing another one.

“The biggest birthday present to me would be to know that I’ve found another subject. Genuinely, that’s what I would most want for my 70th birthday: To know I’m writing,” he said.

Lloyd Webber may actually be close to another musical subject but doesn’t want to jinx it by revealing details. “Knowing me, I’ll find some speed bump along the line,” he said.

It’s typical of this restless, self-described perfectionist that he’s looking forward as his past is being celebrated in words, performances and music.

His autobiography, “Unmasked,” is being released this month, along with a massive, four-CD collection of his songs, performed by the likes of Barbra Streisand, Lana Del Rey and Madonna. NBC plans a primetime tribute March 28.

The Lloyd Webber-mania also includes an upcoming live televised NBC version of “Jesus Christ Superstar” starring John Legend and Sara Bareilles. He was the subject of a Grammy Awards tribute, and winter Olympic fans would have noticed Lloyd Webber soundtracks for several skaters.

The book covers the years from his birth to the birth of “The Phantom of the Opera.” It’s honest and very funny.

“I just hope it shows a little more about me to people who perhaps don’t know me,” he said in his apartment overlooking Central Park.

Readers will learn how close he was to being cast as Mozart in the Oscar-winning film “Amadeus,” the time he scribbled the title song in “Jesus Christ Superstar” on a paper napkin, how Judy Garland inspired “Don’t Cry for Me Argentina” and the moment he accidentally exploded a bottle of Champagne all over Barbra Streisand’s hors d’oeuvres.

He also corrects the record about his first meeting with mega-producer Cameron Mackintosh. They did not consume four bottles of burgundy over a long lunch. “It was three bottles and two kirs,” he writes.

One of the book’s most fascinating sections involves the troubled creation of “Cats,” which became a global phenomenon. Lloyd Webber had to put his own money into the show and watched its progression nervously.

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