Carmen lives in rewrite of opera
By FRANCESCO FEDELI
Carmen, the opera heroine, gets to live instead of being slain – thanks to a bold twist to the finale of the Georges Bizet work by some who believe it’s time to say enough to violence against women.
The production of “Carmen” this month at the Maggio Musicale Fiorentino theater in Florence is the talk of the town, and seats are sold out through the last performance on Jan. 18.
In the classic opera, first performed in Paris in 1875, the feisty gypsy Carmen is murdered by Don Jose in a fit of jealousy. But those in the cast thought the time was ripe for a new finale given Italy’s recent, burgeoning movement to combat male violence against female partners or relatives. And so this production’s ending has the heroine shooting to death Don Jose.
“It’s a way to say to all, men and women, ‘enough of the violence,”’ soprano Veronica Simeoni told The Associated Press before Wednesday’s performance. “In this case, there’s a precise message against violence targeting women, a plague that has concerned all of us always, and in this moment is before the eyes of everybody.”
The reaction from opera-goers and on social media was mixed. Luca Paoletti, who was in the audience, was lukewarm about the ending.
“I do not consider it a great idea, but it can be useful for talking about the issue of violence on women,” he said.
Opera reviewer Alberto Matteoli of La Stampa thought the production fell short of the revolution that it hoped to provoke.
‘’It is legitimate to do everything on the stage, but the politically correct does not have retroactive value,” Matteoli wrote.