Wednesday, August 15, 2018
By LINDSEY BAHR
AP Film Writer
BEVERLY HILLS, Calif.
Constance Wu had resigned herself to the fact that “Crazy Rich Asians” was not going to work out for her. She was under contract for her sitcom “Fresh Off the Boat,” both were filming in the fall, and that was that. “Crazy Rich Asians” would be the first studio-made Asian-American movie in 25 years, and Wu, who has established herself as a crusader for Asian-American representation in Hollywood, would have to sit this historic moment out.
But then, feeling “kind of dramatic,” and thinking about the significance of the project to her and untold number of Asian-Americans who make it a point to tell her their stories because of her tweets and “Fresh Off the Boat,” Wu decided to give it one last shot and composed an email to “Crazy Rich Asians” director Jon M. Chu.
“I said, I know the dates don’t work out and whoever you cast, I will be the first in line and I will be their No. 1 fan and supporter, but I did want to let you know that I would put 110 percent of my heart into this project and I know what to do with it and how to carry a movie and if you can just wait for me, I don’t think you’ll regret it,” Wu, 36, said. “I did NOT think this email would work. I did it more for me so that I felt that I had told my truth. But then he read it and said, “You guys, we’ve got to push the production.”
Sitting in a restaurant at the Beverly Wilshire, a hotel famous for co-starring in another “Cinderella” story, “Pretty Woman,” and sipping on a “cocktail” of grapefruit juice and sparkling water, Wu is describing how “Crazy Rich Asians,” out nationwide this week is also a kind of “Cinderella” story. Based the first book in author Kevin Kwan’s popular trilogy, Wu’s character Rachel Chu is a middle-class economics professor from the U.S. who finds herself navigating the upper echelons of Singapore’s wealthy classes when her boyfriend Nick Young takes her home for a wedding and to meet his disapproving family and all the jealous women also vying for the attention of the “prince.”
“It’s a fairy tale, it really is,” Wu said. “And there are a lot of different shoes in the movie!”
Wu has been working toward a moment like this her whole life, and taking it very seriously. During the shoot, she wouldn’t go out after work. She knew how unlikely it was that she’d ever get an opportunity as an Asian-American woman to lead a studio movie.