Album: “In Time” (Valory)
One of country music’s most enduring bands, the Mavericks return with “In Time,” their first new album in a decade. Their mix of Latin horns and rhythms, crisp telecaster leads and the Roy Orbison-like voice of Raul Malo remains as engaging as ever.
In the 1990s, the Mavericks drew attention with an incendiary live show that had fans jumping like no other Nashville act. That uplifting live sound is the focus of “In Time,” which transcends genres by creating a timeless blend rooted in country music and early rock ‘n’ roll.
Malo brings operatic drama to a voice that can soar with power or caress with romanticism. Original drummer Paul Deakin and bassist Robert Reynolds expertly handle grooves that perfectly set up guitarist Eddie Perez, keyboardist Jerry Dale McFadden and a smoking horn section. “In Time” is a welcome reminder of why the Mavericks have always been so special.
—Michael McCall, Associated Press
Album: “Ain’t No Mountain High Enough: A Tribute to Hitsville U.S.A.” (Montaigne Records)
In his nearly four decade career, Michael Bolton has released some two dozen albums and has tackled various musical genres, always keeping a soft spot for classics and Motown tunes. He’s covered everyone from Frank Sinatra to Glenn Miller to Etta James to Sting, but his strongest remakes have always been the unusual collaborations that put a different spin on a song, or added another dimension to an overly familiar hit.
His new 10-track Motown tribute album, however, seems to copy and paste original orchestrations in a less than stellar manner. It includes Marvin Gaye’s done-to-death “Ain’t No Mountain High Enough,” which gets a boring and barely heard assist from Kelly Rowland, The Supremes’ “You Keep Me Hanging On” and Stevie Wonder’s “Signed, Sealed, Delivered [I’m Yours].”
Fans of the easy-listening genre will enjoy Bolton’s warm voice and correct versions, but it ultimately feels like an exercise in unoriginality that lacks the igniting sparks.
—Cristina Jaleru, Associated Press
Album: “Better Tomorrow” (VP Records)
Etana delivers a mature and confident sound with top-notch lyrical content and unique vocals on her third studio album, “Better Tomorrow.”
The Jamaican singer’s soulful roots are strong as she pays homage to earlier eras of reggae on tracks such as the empowering “Queen” and the infectious “Reggae.” She finds a fresh perspective on the happy song “Beautiful Day,” and “All I Need” is full of emotion and desire.
Her strong-minded nature sees the 29-year-old go to new levels on each of the album’s songs, making “Better Tomorrow” her best album to date.
The album opener, “Spoken Soul,” is a verbal statement speaking of her “musical journey” and need for a “better tomorrow.”
—Biana Roach, Associated Press
Emmylou Harris & Rodney Crowell
Album: “Old Yellow Moon” (Nonesuch)
“Old Yellow Moon” is a reunion album of sorts that explores musical paths Emmylou Harris and Rodney Crowell first traveled on their initial recordings in the mid-1970s. Harris began recording Crowell compositions in 1975, the same year she hired him to join her band. They remain linked as leaders of a groundbreaking era in country music that resonates today in the work of Miranda Lambert, Buddy Miller and others.
Then as now, Harris and Crowell excelled at bringing a fresh perspective to covers of classic country tunes, while pushing the genre toward a new sound built on driving rhythms, crisp musician- ship and a wide range of well-chosen songs.
“Old Yellow Moon” also reunites Harris with Brian Ahern, her ex-husband who produced her classic early work. While the album doesn’t have the stunning originality of the duo’s early collaborations, it agreeably recalls why their early work together is so highly regarded.
—Michael McCall, Associated Press
Album: “Tetra” (Universal Republic Records)
Get ready to dance. A lot.
“Tetra,” the debut album from French foursome C2C, is a multigenre, beat-driven adventure that feels good throughout all 14 tracks.
C2C is a turntable group made up of 20syl, DJ Greem, DJ Pfel and DJ Atom. They’ve crafted songs that feel soulful (“Happy”), energetic (”Delta,” “The Beat”) and eerie (“Give Up the Ghost”). “Because of You” is Gorillaz-esque and “Genius” is oh-so-fun, as is “Who Are You,” which samples The New Birth’s “You Don’t Have to Be Alone.”
“Le Banquet” even weaves in a speech from Ronald Reagan — and it works.
“Tetra” is flavorful and upbeat — it’s hard not to jump around to these beats. C2C has meshed a sound that is wild, but still consistent.
—Mesfin Fekadu, Associated Press