Queens of the stone age Album tackles heavier themes


AP Music Writer


When Josh Homme sat down to write the music that would become Queens of the Stone Age’s long-awaited new album, he found he had nothing to say. Worse, he was vaguely embarrassed by everything he’d done before.

The mind has its dark places and Homme found himself stuck in some if its blacker recesses after dying briefly on the operating table during leg surgery in 2010.

“One of the things it did for me was it made music seem almost stupid to me, silly,” Homme said. “For a guy who’s always worshipped music — that’s been my religion — to all the sudden feel foolish about playing music and to feel it was overblown, dramatic, self-absorbed [garbage] that meant nothing was strange. So you almost have to like find your feet again and find your reason. I guess you just have to learn everyone gets knocked down, but it’s the style that you stand up that’s important.”

It began with Homme sitting in a room trying to love music again. His wife finally got him rolling, convincing him to hit record and make the demos that would eventually become “ ... Like Clockwork,” the first new album for the Grammy-winning Los Angeles-based band since 2007. It’s not really like any Queens of the Stone Age album you’ve heard before. It’s dark — OK, darker — and brooding. There are slow, contemplative songs and the mood is far more vulnerable than on any of the band’s previous five albums.

These changes were evident from the moment Homme began to write. The first track to emerge was “The Vampyre of Time and Memory,” which starts off with a foreboding synth blast, melancholy piano and the words “I want God to come/and take me home/cause I’m all alone/in this crowd/who are you to me?/who am I supposed to be?/not exactly sure anymore.”

“And I hated it because I thought, ‘Who’s going to want to listen to this?”’ Homme said. “And my wife Brody says, ‘Who cares?’ And I stopped and went, ‘Oh, that’s right. Who cares?”’

It was an important breakthrough, but just the first of many he’d have to make as he struggled to finish the 10 tracks on “... Like Clockwork.” It took five months of intense frustration and worry. Along the way Homme lost his drummer, was bailed out by his best bud Dave Grohl, assisted by an all-star cast that included Queens fan sir Elton John, and became even closer with the guys who made it through the heart of darkness with him.

“It’s a deep record,” said guitarist Troy Van Leeuwen, a member of the band since 2002.

“And we were in a deep, dark place and things weren’t going like clockwork at all. That’s, of course, the ironic part of naming your record ‘... Like Clockwork.”’

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