Alicia Keys presents new side of herself with ‘Girl on Fire’
By MESFIN FEKADU
AP Music Writer
Alicia Keys will make you cry. Cry hard.
That’s what happened when a close friend listened to the song “Brand New Me,” a personal piano-tune from Keys’ new album that she calls her “autobiography.” On it, she sings about being herself, even if others don’t approve.
“When I looked up from playing it, she was crying and she was like, ‘Why didn’t you warn me?’ It caught her off-guard,” Keys recalled in an interview. “There’s something about a time in your life that we all go through — if you haven’t gone through it you will — that you find you’re going to rise above something that’s kind of held you back and you find this thing inside of you that really says, ‘I’m new now.”’
Keys’ life has changed tremendously since she recorded “The Element of Freedom” three years ago. She’s now a mother and Broadway producer, and has dealt with her first major tabloid drama, involving her relationship with her husband, producer-rapper Swizz Beatz, and his ex-wife.
And the 31-year-old Keys, who rarely collaborates with other singers, is working with new players: “Girl on Fire,” out this week, features Bruno Mars, Frank Ocean, Jamie xx, Nicki Minaj, Emeli Sande, Babyface, Dr. Dre, John Legend and Maxwell.
“I’m just way more open all around, and I really wanted to work with some different people this time that could really accentuate what I do,” she said.
Keys talked about her fifth album, new haircut and 2-year-old son, Egypt.
Q. What was it like writing “Brand New Me” since the lyrics are so direct?
A. I think the whole album is more lyrical than ever before and I definitely think it is on a deeper level. ... Maybe it’s more accessible, or maybe I’ve given more access to myself. I think the real thing is I’m clearer about who I am, myself and what I feel. And I think probably when I was younger, maybe you have more of a sense of wanting to save a part of yourself or hide a part of yourself, or protect a part of yourself or something like that, and that’s just natural.
Q. You have a duet with Maxwell, which excited many people.
A. It’s just so dope. And Gary Clark Jr. is on there playing ... the combination of all of it together is steamy! It’s steamy!
Q. Your son is featured on “When It’s All Over.” How did that happen?
A. We were in the studio working on it, and he came in and he was kind of seeing us sing and writing it, and so he wanted to see the mic, so I passed it to him and he started talking on it. But this is when he was like a year and three months, so what first was on there was kind of just the first words he was saying, but as time progressed and we were about to wrap the album, I was like, ‘I really gotta get Egypt on ... because he’s 2 now, he has a lot to say, he has a personality.’ And so I brought him back into the studio ... and you’ll notice, I’ll ask him what’s his name and he says ‘Showtime’ (laughs). So for those that know my husband, you’ll understand what that means.
Q. Has being a mother changed the way you create music?
A. It was definitely strange. What really happened is I was a lot more precise about what I wanted to accomplish. ... Whereas before, it was kind of like endless hours in the studio, just doing everything. I’d be eating there. I’d be talking on the phone. I’d be doing music there. I’d be like hanging out, chillin’, watch a move there, like doing everything. It was less about that and more about ‘Here’s what I’m coming to do, the vision I had for today and then I’m going home.’ So it was a lot more specific and actually that focus was really good for me.