‘Green’ begins season with look at eco-visionary


Michael Reynolds started out as a classically trained architect.

NEW YORK (AP) — You have to be a little crazy to tilt at windmills — or sometimes, just to build them.

Meet Michael Reynolds, who has been raising hell and building what he calls earth ships in the Taos, N.M., desert for more than three decades. With his long, gray hair, salty language and almost surreal single-mindedness, Reynolds is a larger-than-life man of eco-action.

He believes he is here to save the Earth — if only out of self-interest.

“I feel I’m in a herd of buffalo, and they’re all stampeding toward a 1,000-foot drop-off...,” he says. “If humanity takes the planet down the tubes, I’m dead.”

Reynolds is the star of the documentary “Garbage Warrior,” which helps open the second season of Sundance’s “The Green” at 9 p.m. Tuesday. And he is a magnetic presence — whether he’s building houses out of old tires and bottles, providing shelter for tsunami survivors or battling politicians.

“The Green” is much the same as last year — a weekly, Tuesday night block of programming focused on the environment. Hosted by journalist Simran Sethi and community advocate Majora Carter, “The Green” includes a half-hour show, “Big Ideas for a Small Planet,” as well as short, interstitial pieces about ecology.

It also offers longer documentaries like “The Nuclear Comeback,” about renewed interest in nuclear power; “The Greening of Southie,” a look at the construction of Boston’s first green residential building; and “Escape from Suburbia,” examining the Americans lifestyle in an age of rising prices and declining oil supplies.

“Garbage Warrior” is many things — a meditation on the need to think outside the box in trying times; a suspenseful yarn about a maverick’s struggle with the status quo; and more than anything else, a profile of a visionary who may be carbon neutral, but is neutral in no other sense.

He started out as a classically trained architect at the University of Cincinnati, but he didn’t want to build little houses made of ticky-tacky; he wanted to build houses out of beer cans. So he moved to New Mexico, and did just that.

The walls of Reynolds’ organic-looking houses are filled with detritus — cans, tires packed with dirt, plastic and glass bottles.

“This is garbage and it comes out like stained-glass jewels,” he says, admiring his handiwork.

The walls absorb heat from sunlight in the winter, and insulate against the heat of summer. Windows are strategically placed and adjustable modulate sunlight; solar panels and wind turbines generate electricity. Rainwater is captured; wastewater is filtered and reused. Greenhouse areas are used to grow food. The aim is to make the people who live in these houses self-sufficient.

“You can get up in the morning and you own your own life. You don’t have to do anything,” he says.

People flocked to New Mexico to buy Reynolds’ earth ships. But he was making it up as he went along, and the experiments sometimes had unhappy results — leaky roofs, too much heat. Once, an unhappy homeowner showed Reynolds his vintage typewriter. It had melted.

Local officials heard the complaints and went after Reynolds and his crew for code violations, shutting him down. He lost his license as an architect. To keep his business going, he had to build more conventional housing, conforming to rules written for Levittownish subdivisions.

“I had lost the freedom to fail,” he says.

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