Interior designer Joel Mozersky transformed an old building into a luxury house for Season 16.
By DERRIK J. LANG
AUSTIN, Texas -- Over the past 15 seasons, each camera-laden home on MTV's "The Real World" has become as much a character as the seven strangers picked to live within it.
For the sweet 16 season in Austin premiering June 21, MTV and Bunim-Murray Productions hired native interior design Joel Mozersky to transform an old warehouse into a reality TV domicile.
"I got the job basically six weeks ago," Mozersky told The Associated Press last January during a tour of the house the day before the roomies were due to arrive. "I had full concept in a week. I had to present to the president of the company in a week. Construction has been three and a half weeks from rough space to this, so it's been quick."
But it doesn't show. Mozersky filled the space with Texas kitsch, art from friends, Italian furniture and a pool. Mozersky used "Real World" stature to expeditiously furnish the space.
"It carries a lot of weight when I call and say I'm with 'The Real World,'" Mozersky said. "I get a lot more than I would if I just called and said, 'Hey I'm working on this project.' That clout helps balance out the need for immediate gratification." Some highlights:
When the seven strangers enter their abode, they'll be greeted by an 18-foot tall neon cowboy named "Big Tex" (because he's holding a sign which says so). "When they walk in, I want them to feel like 'Welcome to Texas!' and I don't think I could've said it any better than that," said Mozersky. As they moo-ve further into the warehouse, they'll notice an assemblage of vintage cowbells on the left wall.
A sleek vintage vinyl couch, lava stone coffee table and mod seats adorn the small living area. Two plastic bubble chairs hang above a white flokati shag rug. "I used the bubble chairs because I think they're a really fun chair," said Mozersky. "They can hold like two people. I don't know the exact weight requirement, but they can hold at least 300 pounds."
It might be hard to cook in a kitchen this loud. The walls are pink, the cabinets are red and a tree trunk with an island atop it sprouts up in the center. At least the stainless steel fridge is calming. It's loaded with organic goods. "I think red and pink together create a lot of energy as opposed to having flat wood," said Mozersky. "It'll make you stop changing the channel."
There's a small pool in the center of the warehouse, carved out of indigenous leuter stone. "I didn't know if it was going to be possible due to physics and things like that," said Mozersky. "We had to build up from the basement. I wanted it to be sort of monolithic like it grew out of the floor, almost like it was always here." The roomies can't even escape from the cameras while dipping in the pool: A camera is hidden below one of the jets. "It's more geared toward young adults getting together than anybody doing laps," Mozersky said.
This is the room where the seven strangers reveal their inner thoughts to a small camera mounted across from a fisherman's chair bolted onto the floor. Behind the chair is a wavy textured drywall sculpture infused with changing colored light. "That's actually the official 'Real World' confessional chair that's been in many seasons," said Mozersky. "You don't ever see it because someone's sitting in it."
Not so much patio as hot tub room, with walls made of thin plastic sheeting. There are two entrances. Wooden benches and plants flank both sides. "I wanted to simulate the outdoors as much as possible considering it's sort of in an enclosed plastic area," Mozersky said.
Each of the three bedrooms is decorated with a native flora theme and corresponding decorative mural: thistle, tumbleweed and guava cactus. Two bedrooms have two beds while one room has three -- and a trio of garden gnome-shaped nightstands. "I wanted this room to be the most fun because you had to actually share it with two people," Mozersky said.
Walking into the bathroom is like stepping into a stable. A trough sink is mounted in the center of the room with multiple faucets. Swinging saloon-style doors hang outside the shareable dual-head showers. "It's a way for all of them to get ready at once," said Mozersky. The only thing separating the commodes from the rest of the bathroom (and the cameras) are see-through doors, which become instantly opaque at the flip of a switch. The doors are made of electrochromic glass, which can change color when exposed to electricity.